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The Lyre of Lejre, original drawing by Petr Florianek & Peter Johnsson.
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Last Summer I had the fine opportunity to participate in the semi-annual Arctic Fire of 2016. It's a gathering of international artists & smiths orchestrated by Dave Stephens & Shane Harvey in Alaska, including additional luminaries such as Jake Powning, Petr Florianek, Peter Johnsson, Owen Bush and previously, Michael Pikula and David DelaGardelle.
In
the past it has been primarily focused on bladesmithing and related
ornamental techniques. The first one was simply live-streamed lectures, demos and interviews. In the following endeavor we filmed and live-streamed a blade
being made from iron ore to gem-setting, and offered it up as a mythic
mystery puzzle. For 2016 we created an elegant back-story, or should I
say, Peter mostly created an elegant back-story, and we all made objects
that could have been. That is, could have been found in the archeological
excavations of Lejre, Denmark, home of Heorot, where Beowulf dove down and defeated the monster
Grendel, more than a thousand years ago.
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The lyre bridge. |
I
decided to make a lyre, because the poem Beowulf specifically mentions
that the ever complex Grendel absolutely hated the sound of joy in the hall, and of the harp being
struck; it was torture to his ears. I wanted to imagine that when he
came to Heorot and slew many men, that he took this object of jealousy
and hatred back into his underwater cave. There he longingly
contemplated it, filled with the denied desire to share in its joy, perhaps
even to awkwardly strum it before smashing it in a rage of
alienation.
As
an object it's a wonderful symbol of the best of the world of men in
the Beowulfian Age. It also offered opportunities for some metalwork-
lost wax casting in bronze and gold plating. The objects themselves
presented fantastic narrative potential for our back-story of Victorian
archeology, long lost collections and misattributed discoveries: a set
of lyre escutcheons discovered to match a sea apart, and an obscure
drawing with a matching bridge and some very suspicious, and uncomfortably large
dentition marks in evidence.
There
are a number of lyres and lyre parts in existence, as well as some
images- in wood and in stone. I took inspiration from all of them, and
tried to create something that possibly could have been, but most
definitively should have been. The shape is taken from the
Cologne Lyre, found in a churchyard burial, as well as from some
Gotlandic depictions. The escutcheons on the arms and the bridge
inspired by pieces in the British Museum, and the soundboard holes by
the Trossingen Lyre.
I'm not finished with the story. And neither are my compatriots in troll-telling. There are some other drawings we have uncovered, and one of them shows a drinking horn with dentition marks that match those depicted in Gotthard's original rendering. And that is to say nothing of the catalogued box and the human humerus... which appears to have the very same marks. And the Lyre of Lejre has yet some songs to sing.
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The full Lyre of Lejre, reconstructed, based on multiple recently related finds. |
It has a fine sound, one that would undoubtedly fill Grendel with covetous malice. If you missed our livestreamed presentations this Summer, you will be able to hear it when Arctic Fire finishes editing and compiling our presentations for a soon to be released download / DVD. Follow us on Facebook or see some teasers on the Arctic Fire website, and come along with us, down the rabbit hole, and to Grendel's Hoard.
-J.Arthur Loose